VENUS IN FUR ANNOUNCES HOT NIGHTS ON BROADWAY PACKAGE

SELECTED WEDNESDAY EVENINGS BEGINNING WEDNESDAY, APRIL 25

AT LYCEUM THEATRE (149 WEST 45TH STREET)

SPECIAL $99 VALUE PACKAGE INCLUDES TICKET TO ACCLAIMED HIT PLAY,

POST-SHOW CREATIVE CONVERSATION WITH RELATIONSHIP EXPERTS,

& POST-EVENT DRINKS AT NIOS RESTAURANT (146 WEST 46TH STREET)

VISIT WWW.BROADWAYOFFERS.COM OR CALL 212-974-8844

AND USE CODE “TALKFUR”


Hugh Dancy and Nina Arianda

Photo by Jason Bell

    VENUS IN FUR, the acclaimed new play now at the Lyceum Theatre (149 West 45th Street), announces HOT NIGHTS ON BROADWAY a special $99 value package that includes a ticket to the hit play, a post-show creative conversation featuring some of the country’s leading relationship experts speaking with members of the VENUS IN FUR creative team, and two complimentary post-event drinks at Nios Restaurant (146 West 46th Street).

    HOT NIGHTS ON BROADWAY will be held on selected Wednesday evenings starting Wednesday, April 25 and each creative conversation will be moderated by publisher, producer, and talk show host Judith Regan (“The Judith Regan Show” on Sirius/XM’s Stars channel).

    The HOT NIGHTS ON BROADWAY package can be purchased at www.BroadwayOffers.com or by calling 212-974-8844 and using code “TALKFUR.” The offer is valid for select Orchestra and Front Mezzanine seats during the evening performances of April 25, May 2, and May 9 only. Offer subject to availability and prior sale. All sales are final. No refunds or exchanges. Offer may be modified or revoked at any time without notice.

    Below is the schedule of experts and creative team members currently scheduled to appear:

     

    Copyright 2012 By Punchin International. All Rights Reserved.

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    DEATH OF A SALESMAN STAR PHILIP SEYMOUR HOFFMAN RECEIVES A BAFTA NOMINATION FOR THE IDES OF MARCH

    Philip Seymour Hoffman, currently in rehearsal for the role of Willy Loman in Arthur Miller’s DEATH OF A SALESMAN, was nominated today for a British Academy of Film and Television Arts (BAFTA) Award for Supporting Actor for The Ides of March.    The winners in 24 categories will be announced at the Royal Opera House in Covent Garden in London on February 12. 

    Arthur Miller’s Tony Award and Pulitzer Prize-winning masterpiece DEATH OF A SALESMAN, in a new production directed by eight-time Tony Award® winner Mike Nichols, stars Academy Award® winnerPhilip Seymour Hoffman as Willy Loman, Obie Award winner Linda Emond as Linda Loman and Andrew Garfield (The Social Network, The Amazing Spider-Man), making his Broadway debut as Biff Loman. The strictly limited 16-week engagement opens Thursday, March 15, 2012 at the Barrymore Theatre (243 West 47th Street, between Broadway and Eighth Avenue).  Previews begin Monday, February 13. For tickets, visit Telecharge.com or call 212-239-6200.

    Copyright 2012 By Punchin International. All Rights Reserved.

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    THE GERSHWINS’ PORGY AND BESS NOW ON BROADWAY AT THE RICHARD RODGERS THEATRE

    Porgy and Bess New York

    All photos by Michael J. Lutch

    The Gershwins’ PORGY AND BESS, which began previews on Saturday, December 17th, opens tonight, Thursday, January 12th, 2012 at the Richard Rodgers Theatre (226 West 46th Street, between 8th Avenue and Broadway). Tickets are on sale at Ticketmaster.com or by calling 877-250-2929 or by clicking the link below

    http://www.ticketmaster.com/The-Gershwins-Porgy-and-Bess-tickets/artist/974187

    Or The Following  Events Site. Click Here

    View A Video At This Excellent Site Click HerePorgy and Bess New York

    The cast includes Audra McDonald as Bess, Norm Lewis as Porgy, David Alan Grier as Sporting Life, Phillip Boykin as Crown, Nikki Renée Daniels as Clara, Joshua Henry as Jake, Christopher Innvar as Detective, Bryonha Marie Parham as Serena and NaTasha Yvette Williams as Mariah, as well as Allison Blackwell, Roosevelt André Credit, Trevon Davis, Joseph Dellger, Wilkie Ferguson, Carmen Ruby Floyd, Heather Hill, David Hughey, Andrea Jones-Sojola, Alicia Hall Moran, Cedric Neal, Phumzile Sojola, Nathaniel Stampley, Julius Thomas III, J.D. Webster and Lisa Nicole Wilkerson

    The Gershwins’ PORGY AND BESS comes to Broadway in a stunning and stirring new staging, featuring such legendary songs as “Summertime,” “It Ain’t Necessarily So,” and “I Got Plenty of Nothing,” plus a remarkable cast led by four-time Tony Award winner Audra McDonald (Ragtime, “Private Practice”), Drama Desk nominee Norm Lewis (Les Misérables, Sondheim on Sondheim) and two-time Tony nominee David Alan Grier (Race, “In Living Color”). The classic story by DuBose and Dorothy Heyward is set in Charleston’s fabled Catfish Row, where the beautiful Bess struggles to break free from her scandalous past, and the only one who can rescue her is the crippled but courageous Porgy. Threatened by her formidable former lover Crown, and the seductive enticements of the colorful troublemaker Sporting Life, Porgy and Bess’ relationship evolves into a deep romance that triumphs as one of theater’s most exhilarating love storiesPorgy and Bess New York

    Our Review Will Be Available Soon.

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    JOIN US FOR THE LAUNCH OF CHARITIES TO BENEFIT WHERE A SIGNATURE CAN SAVE A LIFE Be the first to see the never before revealed technology on a Vodka Bottle.

    WHO
    Richard Thomas,
    Lanie Kazan,
    Medea Vodka
    The Times Square Chronicles
    CAST of THE FANTASTICKS
    Edward Watts
    – El Gallo (Broadway’s Finian’s Rainbow)
    Juliette Trafton – Luisa (Christine in the national tour of Phantom of the Opera)
    MacIntyre Dixon – Henry (Beauty and the Beast, A Funny Things Happened on the Way to the Forum, Gypsy, 1776)
    Dan Sharkey – Hucklebee (Broadway’s The Music Man, Show Boat)
    Matt Leisy – The Mute (St. Louis Rep’s The History Boys)

    WHEN / WHERE:
    Friday, January 13  
    11:00am
    Columbus Wine and Spirits 1802 Broadway

    ABOUT CHARTIES TO BENEFIT
    Times Square Chronicles, MEDEA, and Columbus Wines and Spirits present:
    Charities to Benefit, an innovative initiative to bring light to the charities of choice of some of our favorite celebrities.
    Each bottle of MEDEA will be programmed with a special message and autographed by a celebrity to be auctioned off starting February 1st online.
    The talented and generous Hugh Jackman kicked off the campaign with the proceeds of the sale of his autographed MEDEA bottle being donated to his charity of choice: Nomad Two Worlds Foundation, which supports and promotes artists from indigenous and marginalized communities around the world.
    In the window at Columbus Wine and Spirits we will unveil the bottles of Bernadette Peters/ Broadway Barks, Phyllis Newman/ The Women’s Health Initiative and The cast of Phantom with our charity of choice The Broadway League and Family Night Out have signed bottles.

    Lainie Kazan for the Alzheimer’s Foundation, Richard Thomas for The National Meningitis Foundation
    and The cast of The Fantasticks for Bideawee will be on-hand to sign their bottles, as well as some surprise guests.

    On January 19 we will be revealing more celebrities and store window displays.
    On February 1 our auction website http://www.charitiestobenefit.org will launch and
    on February 13 a gala benefit will commence.
    This is an on-going initiative throughout the year.

    Copyright 2012 By Punchin International. All Rights Reserved.

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    JANE AUSTEN’S PRIDE AND PREJUDICE

    The New York Musical Theatre Festival and J&B Productions
    present Donna Lynne Champlin (“Billy Elliot,” “Sweeney Todd”) in

    JANE AUSTEN'S PRIDE AND PREJUDICE, a musical

    JANE AUSTEN’S PRIDE AND PREJUDICE
    A story of "First Impressions" and second chances…
    Book, Music, and Lyrics by
    Lindsay Warren Baker and Amanda Jacobs
    Directed by Igor Goldin (“YANK!”)
    Presented as part of the 2011 New York Musical Theatre Festival
    September 29 – October 11
    Signature Theatre’s Peter Norton Space (555 West 42nd St)

    The New York Musical Theatre Festival and J&B Productions present the musical JANE AUSTEN’S PRIDE AND PREJUDICE, a musical – a story of “First Impressions” and second chances – with music, lyrics and book by Lindsay Warren Baker and Amanda Jacobs, directed by Igor Goldin (“YANK!”), and starring, in the title role of Jane Austen, Donna Lynne Champlin (“Sweeney Todd,” “Billy Elliot”). JANE AUSTEN’S PRIDE AND PREJUDICE, a musical is presented as part of the 2011 New York Musical Theatre Festival and will play at Signature Theatre’s Peter Norton Space (555 West 42nd Street) in Manhattan beginning September 29 – with only 6 performances available.

    Copyright 2011 By Punch In International. All Rights Reserved

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    MATTHEW BOURNE’S SWAN LAKE

    New York City Center, Sadler’s Wells and Back Row Productions

    Richard Winsor as The Swan. Photo by Hugo Glendinning 7

    Present A New Adventures Production

    MATTHEW BOURNE’S SWAN LAKE

    THE TONY AWARD® WINNING PRODUCTION

    RETURNS TO NEW YORK

    LIMITED ENGAGEMENT OCTOBER 13 – NOVEMBER 7, 2010

    AT NEW YORK CITY CENTER

    Directed and Choreographed by Matthew Bourne

    “Fourteen years after its premiere, the show still packs a thrilling punch.”

    Daily Mail (London, 2009)

    MATTHEW BOURNE’S SWAN LAKE, the triumphant modern re-interpretation of the legendary ballet, turned tradition upside down and took both the theater and dance worlds by storm when it arrived on Broadway in 1998 and went on to win three Tony Awards® and five Drama Desk Awards.

    Produced by New York City Center, Sadler’s Wells Theater London and Back Row Productions, the groundbreaking and multi-award-winning international hit production will return to New York for a strictly limited run October 13 – November 7, 2010 at New York City Center (West 55th Street between 6th and 7th Avenues).

    Tickets for MATTHEW BOURNE’S SWAN LAKE go on sale on Monday, June 7th at the New York City Center Box Office, through CityTix at 212-581-1212, or online at www.NYCityCenter.org.  Tickets are $110 (Orchestra and Grand Tier); $85 (Orchestra, Grand Tier and Mid-Mezzanine); $50 (Mid-Mezzanine and Rear Mezzanine) and $25 (Orchestra and Rear Mezzanine).

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    ROUNDABOUT THEATRE COMPANY presents SONDHEIM ON SONDHEIM

    Technorati Tags: ,

    Photo: Barbara Cook, Vanessa Williams and Tom Wopat in "SONDHEIM ON SONDHEIM"; Directed by James Lapine; presented by Roundabout Theatre Comapany ; Performance photographed: Wednesday, April 14, 2010;  2:00 PM at  the Roundabout Theatre Company's Studio 54 Theatre, New York;  Photograph: © 2010 Richard Termine.
PHOTO CREDIT - Richard Termine

    Barbara Cook Vanessa Williams  Tom Wopat       In the new original Broadway musical

                 SONDHEIM ON SONDHEIM

                                   with

    Leslie Kritzer     Norm Lewis        Euan Morton ErinMackey                               Matthew Scott

                         Music & Lyrics

                      Stephen Sondheim

                    Conceived & Directed

                            James Lapine

    ____________________________________________________________

                           “Rating A Major”

                                                   Punch In International

    _______________________________________________________________

    As long as there is a ROUNDABOUT THEATRE COMPANY, there will be a vibrant and meaningful Broadway. Sondheim’s lyrics and music soar, as a world class ensemble cast lights up the stage. A brilliant conception, this production is strikingly staged by James Lapine.  The Great White way is alive and well at Studio 54. Not to be missed!

    N. Walman

    _____________________________________________________________sondheim4quartet%20&%20Sondheim%20395 ____

    Roundabout Theatre Company’s Broadway production of Sondheim on Sondheim stars Barbara Cook, Vanessa Williams, Tom Wopat, Leslie Kritzer, Norm Lewis, Euan Morton, Erin Mackey & Matthew Scott. Music & lyrics are by Stephen Sondheim and the production is conceived & directed by James Lapine.

    Sondheim brought us Into The Woods, Company, Sweeney Todd, A Little Night Music, Sunday in the Park with George, A Funny Thing Happened On The Way To The Forum, West Side Story and Gypsy (to name a few). By writing songs that reflect the complexity of his characters, he has changed the way we define a great musical. But even though millions of fans know his songs by heart, few know much about Stephen Sondheim himself. Until now. Roundabout presents Sondheim On Sondheim, an intimate portrait of the famed composer in his own words… and music. Through the use of exclusive interview footage, you’ll get an inside look at Sondheim’s personal life and artistic process. An world-class ensemble cast performs sparkling-new arrangements of over two dozen Sondheim tunes, ranging from the celebrated to the obscure. Brilliantly directed by frequent Sondheim collaborator James Lapine, Sondheim on Sondheim  is a unique theatrical experience that will carry you to emotional highs and leave you with a sense of fulfillment rarely experienced in today’s theatrical universe.   Rating:A Major

    The Sondheim on Sondheim creative team includes David Loud (Music Direction & Arrangements) and Dan Knechtges (Musical Staging). The design team includes Beowulf Boritt (Sets), Susan Hilferty (Costumes), Ken Billington (Lights), Dan Moses Schreier (Sound) and Peter Flaherty (Projections).

    Copyright 2010 By Punch In International. All rights reserved.

    SoS 060

    TICKET INFORMATION:

    Tickets will be available exclusively to American Express® Cardmembers beginning Monday, January 4th at http://www.roundabouttheatre.org, by phone at (212) 719-1300, or at the Studio 54 Box Office (254 West 54th Street). http://www.roundabouttheatre.org 
    blic on-sale begins Sunday, January 10th, by calling Roundabout Ticket Services at (212)719-1300, online at http://www.roundabouttheatre.org or at the Studio 54 Box Office (254 West 54th Street).  To become a Roundabout subscriber visit http://www.roundabouttheatre.org or call Roundabout Ticket Services (212)719-1300.  Ticket prices range from $36.50-$126.50.

    PERFORMANCE SCHEDULE:

    Sondheim on Sondheim will play Tuesday through Saturday evenings at 8:00PM with a Wednesday, Saturday and Sunday matinee at 2:00PM. 
    SPRING GALA: SONDHEIM 80.
    . Photo: Barbara Cook, Vanessa Williams and Tom Wopat in "SONDHEIM ON SONDHEIM"; Directed by James Lapine; presented by Roundabout Theatre Comapany ; Performance photographed: Wednesday, April 14, 2010;  2:00 PM at  the Roundabout Theatre Company's Studio 54 Theatre, New York;  Photograph: © 2010 Richard Termine.
PHOTO CREDIT - Richard Termine

    Copyright 2010 By Punch In International. All Rights Reserved.

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    STANLEY TUCCI DIRECTS LEND ME A TENOR

    STARRING ANTHONY LaPAGLIA, TONY SHALHOUB AND JUSTIN BARTHA

    OPENS NIGHT THIS SUNDAY APRIL 4 AT BROADWAY’S MUSIC BOX THEATRE

    * * *

    Ken Ludwig’s comedy LEND ME A TENOR opens this Sunday night April 4 at 6:45 PM at Broadway’s Music Box Theatre (239 West 45th Street).  It stars Anthony LaPaglia, Tony Shalhoub, Justin Bartha, Brooke Adams, Mary Catherine Garrison, Jennifer Laura Thompson, Jay Klaitz, and Jan Maxwell, and is directed by Stanley Tucci.

    LEND ME A TENOR is produced by The Araca Group, Stuart Thompson, Carl Moellenberg, Rodney Rigby, Olympus Theatricals, Broadway Across America, in Association with Lisa Cartwright, Wendy Federman/Jamie deRoy/Richard Winkler.

    Set in the 1930s, LEND ME A TENOR is a madcap screwball comedy that takes place when Tito Merelli, the fiery-tempered and world famous Italian superstar, arrives in Cleveland, Ohio to make his debut with the local opera and promptly goes missing.  As Saunders, the show’s presenter, conspires to cover for Tito’s absence, placate his hot-blooded wife, and distract his most passionate fans, chaos on a truly operatic level ensues.

    LEND ME A TENOR’s design and creative team is John Lee Beatty (set designer), Martin Pakledinaz, (costume design), Kenneth Posner  (lighting design), and Peter Hylenski (sound design). Patrick Vaccariello is Musical Supervisor.

    LEND ME A TENOR premiered on Broadway in 1989 and received seven Tony Award nominations, winning two.  It was also honored with four Drama Desk Awards.  Prior to Broadway, LEND ME A TENOR played London’s West End where it received an Olivier Award nomination for Best Comedy.  The play has been translated into 16 languages and produced in more than 25 countries.

    It plays the following schedule: Tue at 7, Wed-Sat at 8, Wed & Sat at 2, Sun at 3.

    Ticket Prices: $121.50 and $86.50 at all performances except Saturday at 8 PM when they are $126.50 and $86.50.   All prices include a $1.50 facility fee.

    Tickets are available through Telecharge (212 239 6200) or at www.Telecharge.com.

    www.lendmeatenorbroadway.com

    ROUNDABOUT THEATRE COMPANY presents

    Barbara Cook                Vanessa Williams                Tom Wopat
    In the new original Broadway musical
    SONDHEIM ON SONDHEIM
    with
    Leslie Kritzer    Norm Lewis    Euan Morton
    Matthew Scott
    Music & Lyrics
    Stephen Sondheim
    Conceived & Directed
    James Lapine

    “Stephen Sondheim is now the greatest and perhaps best-known artist in the
    American musical theater.” – Frank Rich, NY Times.
    Previews begin March 19th, 2010; Official Opening April 22nd, 2010
    on Broadway at Studio 54
    Roundabout Theatre Company (Todd Haimes, Artistic Director) is proud to have Stephen Sondheim & James Lapine return to Studio 54 with Sondheim on Sondheim, a new original Broadway musical starring Barbara Cook, Vanessa Williams, Tom Wopat, Leslie Kritzer, Norm Lewis, Euan Morton & Matthew Scott.  Music & lyrics are by Stephen Sondheim, and the production is conceived & directed by James Lapine.
    Sondheim on Sondheim will begin previews on March 19th, 2010 and open officially April 22nd, 2010 at Studio 54 on Broadway (254 West 54th Street).  This will be a limited engagement through Sunday, June 13th, 2010.
    (Due to schedule conflicts Michael Arden is no longer available for the engagement of this production.)
    He brought us Into The Woods, Company, Sweeney Todd, A Little Night Music, Sunday in the Park with George, A Funny Thing Happened On The Way To The Forum, West Side Story and Gypsy (to name a few). By writing songs that reflect the complexity of his characters, he has changed the way we define a great musical. But even though millions of fans know his songs by heart, few know much about Stephen Sondheim himself. Until now. Roundabout presents Sondheim On Sondheim, an intimate portrait of the famed composer in his own words… and music. Through the use of exclusive interview footage, you’ll get an inside look at Sondheim’s personal life and artistic process. An ensemble cast of Broadway’s best will perform brand-new arrangements of over two dozen Sondheim tunes, ranging from the beloved to the obscure. Directed by frequent Sondheim collaborator James Lapine, this unique experience will take you inside the life and mind of an ordinary New Yorker… with an extraordinary talent.
    It has been over 37 years since Barbara Cook appeared in a Broadway musical.  Ms. Cook won the 1958 Tony Award® for her portrayal of “Marian Paroo” in The Music Man.  She has been called one of the greatest interpreters of the work of Mr. Sondheim and received a Tony Award® nomination for Best Theatrical Event for her solo, limited engagement concert Mostly Sondheim in 2002.
    Vanessa Williams received a 2002 Tony Award® nomination for her performance of the “Witch” in Into the Woods and made her Broadway debut in 1994 in Kiss of the Spider Woman.
    Sondheim on Sondheim creative team includes David Loud (Music Direction) and Dan Knechtges (Musical Staging).  The design team includes Beowulf Boritt (Sets), Susan Hilferty (Costumes),
    Ken Billington (Lights), Dan Moses Schreier (Sound) and Peter Flaherty (Projections).
    An additional cast member will be announced shortly.
    Roundabout has a long relationship with Stephen Sondheim having produced five Tony Award® nominated Sondheim revivals including Company (1995), Follies (2001), Tony Award® winning Assassins (2004), Pacific Overtures (2004) and Sunday in the Park with George (2008).  This production of Sondheim on Sondheim marks the fourth Sondheim musical produced by Roundabout Theatre Company at Studio 54, where Assassins, Pacific Overtures and Sunday in the Park with George all played.  In 2009 Roundabout presented a one-night only gala concert reading of A Little Night Music at Studio 54 starring Natasha Richardson, Victor Garber and Vanessa Redgrave.  In 2005, Roundabout honored Sondheim with the Jason Robards Award for Excellence in Theatre for the indelible impact his life’s work has made on the theatre world.
    James Lapine also returns to Roundabout Theatre Company and Studio 54 after the 2008 Tony Award® nominated production of Sunday in the Park with George starring Daniel Evans and Jenna Russell.  Euan Morton returns to Roundabout after having played opposite Alfred Molina in Patrick Marber’s Howard Katz.
    Major support provided by The Shen Family Foundation, Perry and Marty Granoff, Tom and Diane Tuft, and First Service Williams.
    TICKET INFORMATION:
    Tickets will be available exclusively to American Express® Cardmembers beginning Monday, January 4th at http://www.roundabouttheatre.org, by phone at (212) 719-1300, or at the Studio 54 Box Office (254 West 54th Street). 
    blic on-sale begins Sunday, January 10th, by calling Roundabout Ticket Services at (212)719-1300, online at http://www.roundabouttheatre.org or at the Studio 54 Box Office (254 West 54th Street).  To become a Roundabout subscriber visit http://www.roundabouttheatre.org or call Roundabout Ticket Services (212)719-1300.  Ticket prices range from $36.50-$126.50.
    PERFORMANCE SCHEDULE:
    Sondheim on Sondheim will play Tuesday through Saturday evenings at 8:00PM with a Wednesday, Saturday and Sunday matinee at 2:00PM. 
    SPRING GALA: SONDHEIM 80.
    Stephen Sondheim turns 80 on Monday, March 22nd, 2010 and Roundabout Theatre Company (Todd Haimes, Artistic Director) will celebrate this landmark with a star-studded tribute at the 2010 Spring Gala: Sondheim 80. Roundabout will celebrate this incredible artist whose six decades on Broadway has changed the face of musical theatre.  Guests will enjoy a gourmet dinner and enjoy performances by some of Broadway’s greatest talent.  The Gala chairs are Michael T. Cohen, Martin & Perry Granoff and Tom & Diane Tuft.  All proceeds from this event will benefit Roundabout Theatre Company’s Musical Theatre Fund.  For more information, please contact Steve Schaeffer, Director of Special Events, at 212-719-9393 x312 or steves@roundabouttheatre.org.
    Biographies:
    STEPHEN SONDHEIM (Music and Lyrics) wrote the music and lyrics for Road Show (2008),  Passion (1994), Assassins (1991), Into the Woods (1987), Sunday in the Park with George (1984), Merrily We Roll Along (1981), Sweeney Todd (1979), Pacific Overtures (1976), The Frogs (1974), A Little Night Music (1973), Follies (1971; revised in London, 1987), Company (1970), Anyone Can Whistle (1964) and A Funny Thing Happened on the Way to the Forum (1962), as well as the lyrics for West Side Story (1957), Gypsy (1959), Do I Hear a Waltz? (1965) and additional lyrics for Candide (1973). Side by Side by Sondheim (1976), Marry Me a Little (1981), You’re Gonna Love Tomorrow (1983) and Putting It Together (1993/99) are anthologies of his work, as is the forthcoming Sondheim on Sondheim. He composed the film scores of Stavisky (1974) and Reds (1981) and songs for Dick Tracy (Academy Award, 1990). He also wrote songs for the television production "Evening Primrose" (1966), co-authored, with Anthony Perkins, the film The Last of Sheila (1973) and, with George Furth, the play Getting Away with Murder (1996), and provided incidental music for the plays The Girls of Summer (1956), Invitation to a March (1961) and Twigs (1971). He won Tony Awards for Best Score for a Musical for Passion, Into the Woods, Sweeney Todd, A Little Night Music, Follies and Company. All of these shows won the New York Drama Critics Circle Award, as did Pacific Overtures and Sunday in the Park with George, the latter also receiving the Pulitzer Prize for Drama. Saturday Night (1954), his first professional musical, finally had its New York premiere in 1999 at Second Stage Theatre.
    JAMES LAPINE (Conceived, Director).  Broadway credits as a book writer & director include: Sunday in the Park with George; Into the Woods; Passion; Falsettos (book with William Finn); Dirty Blonde (by Claudia Shear and conceived with her).  Broadway credits as a director include: Golden Child, The Diary of Anne Frank, Amour, The 25th Annual Putnam County Spelling Bee. Off-Broadway writing credits include: Table Settings; Twelve Dreams; Luck, Pluck, and Virtue; The Moment When; and Fran’s Bed. Three Tony Awards; Five Drama Desk Awards; Pulitzer Prize with Stephen Sondheim for Sunday in the Park with George.
    BARBARA COOK’s silvery soprano, purity of tone, and warm presence have delighted audiences around the world for more than 50 years. Considered “Broadway’s favorite ingenue” during the heyday of the Broadway musical, Miss Cook then launched a second career as a concert and recording artist soaring from one professional peak to another.  Ms. Cook’s most recent New York appearances include an appearance with the New York Philharmonic at Avery Fisher Hall, a reprise of her three sold out 80th Birthday concerts in 2007, and a critically acclaimed new show “Here’s To Life” at Feinstein’s at the Regency. In the past few years Ms. Cook also returned to Carnegie Hall, where she made her legendary solo concert debut over 30 years ago, for her sixth solo concert and made an historic solo concert debut at New York’s Metropolitan Opera House, where she became the first female solo pop singer to be presented in concert by the MET.  Miss Cook won a NY Drama Critics Circle Award and was nominated for a Drama Desk award for her concert Barbara Cook’s Broadway and was nominated for Tony and Drama Desk Awards for her previous concert, Mostly Sondheim.  Her many Broadway credits include the creation of three classic roles in the American musical theatre: Cunegonde in Leonard Bernstein’s Candide, Marian the Librarian in Meredith Willson’s The Music Man (Tony Award) and Amalia in Bock and Harnick’s She Loves Me (Drama Desk Award). In 1975 she made her Carnegie Hall debut which was preserved as the live recording, Barbara Cook at Carnegie Hall.  She then embarked on a second career as a concert and recording artist performing in most of the country’s major concert halls and cabarets. In 1987 she won a Drama Desk Award for her Broadway show, A Concert for the Theatre. Her many London appearances include: her Gala 1997 Birthday Concert with the Royal Philharmonic at the Royal Albert Hall; appearances with the London Symphony Orchestra at the Barbican; engagements at the Donmar Warehouse Theatre, and Sadler’s Wells; and Olivier Award-nominated appearances at the Albery Theatre,  at the Lyric Theatre with Mostly Sondheim, two engagements of Barbara Cook’s Broadway, and most recently an appearance with the English National Ballet in an all-Gershwin evening at the Royal Albert Hall.  A Grammy Award winner, her recordings include eight original Broadway cast albums, two Ben Bagley albums of songs by Jerome Kern and George Gershwin, an album entitled Songs of Perfect Propriety, featuring poems by Dorothy Parker set to music by Seymour Barab, As Of Today (Columbia) and The Disney Album (MCA). Her more recent recordings for DRG Records include: Close as Pages in a Book, Barbara Cook: Live From London, Oscar Winners: The Lyrics of Oscar Hammerstein, All I Ask Of You, The Champion Season: A Salute to Gower Champion, Mostly Sondheim, Barbara Cook’s Broadway, the Grammy nominated Count Your Blessings,  Tribute, the live performance cd, Barbara Cook at the Met, No One Is Alone and Rainbow ’Round My Shoulder.  Next month, DRG Records will release a boxed set of her recordings under the title The Essential Barbara Cook.
    VANESSA WILLIAMS is one of the most respected and multi-faceted performers in entertainment today.  She has conquered the musical charts, Broadway, music videos, television and motion pictures.  She has sold over four million albums worldwide and her skills as an actress on stage, in film and on television have earned critical praise.  Performing – and music in particular – has always played an important role in Vanessa’s life.  Born in Millwood, New York, Vanessa’s early years were spent surrounded by music.  Her parents were music teachers who recognized her musical gifts early on and encouraged her to pursue her love of the arts.  When she was young, she acted, danced, played piano and French horn in her high school orchestra, concert band and marching band and she sang in the concert choir and chorus.  Her early interest in performing led to a passion for musical theatre.  She won an NFAA scholarship was a finalist for a Presidential Scholarship in acting in 1981 and chose to continue her education at Syracuse University, where she majored in musical theatre.  While at college in 1983, Vanessa was sought after by local talent scouts who invited her to participate in the Miss Greater Syracuse Pageant.  Three months later, Vanessa won the 1983 Miss America title and the $30,000 scholarship that accompanied it.  The controversy that followed only left Vanessa stronger and more empowered in her commitment to a career in the world of entertainment.  Vanessa launched her recording career in 1988 with her first album, “The Right Stuff,” which went gold and earned her first three Grammy Award nominations.  Her 1991 multi-million selling follow-up, “The Comfort Zone,” which featured the unforgettable “Save the Best For Last,” and her third album, “The Sweetest Days,” each yielded multiple hits and Grammy nominations.  She was nominated for yet another Grammy for her hit single “Colors of the Wind,” from Disney’s “Pocahontas,” which went on to win an Academy Award, Golden Globe and the Grammy for Best Song in a Motion Picture.  Her numerous recordings also include two holiday albums, “Star Bright” and “Silver & Gold;” “Vanessa Williams Greatest Hits: The First Ten Years;” “Our Favorite Things,” with Tony Bennett, Placido Domingo and Charlotte Church and “Everlasting Love,” a collection of her favorite love songs from the 1970’s.  Concord Records released Vanessa’s newest album, “The Real Thing,” in June.  In 1994, Vanessa realized a life-long dream, taking Broadway by storm when she replaced Chita Rivera in Kiss of the Spider Woman.  Her performance won critics over and was a box-office sensation, firmly establishing Vanessa as a multi-talented triple-threat.  Vanessa also garnered rave reviews and was nominated for a Tony Award in the 2002 revival of Stephen Sondheim’s Into the Woods, taking a brief break from the production to headline a limited special engagement of the classic, Carmen Jones, at the Kennedy Center, playing to sold-out houses and achieving glowing notices.  Previously, Vanessa captivated theatre-goers off-Broadway in One Man Band and in the Los Angeles production of Ron Milner’s Checkmates. She also starred in the Encore! Series staged concert production of St. Louis Woman, which was also released as a cast recording.  Vanessa made her film debut in 1986 in Under the Gun and she appeared in the films The Pick-Up Artist, Another You (with Richard Pryor and Gene Wilder) and Harley Davidson and the Marlboro Man (with Mickey Rourke). She starred opposite Arnold Schwarzenegger in Warner Bros.’ action thriller, Eraser, followed by a leading role opposite Laurence Fishburne and Andy Garcia in Hoodlum and an NAACP Image Award winning performance with the box-office hit, Soul Food.  She has starred in the romantic dance-musical Dance With Me, Light It Up, The Adventures of Elmo in Grouchland and Shaft, opposite Samuel L. Jackson.  She co-starred in Johnson Family Vacation with Cedric the Entertainer and Steve Harvey.  She starred recently in the independent features, My Brother and Somebody Like You and co-starred in Disney’s feature film, Hannah Montana: The Movie.  Vanessa has also played diverse roles on television, in such productions as “Stompin’ at the Savoy,” “The Boy Who Loved Christmas” and “The Jacksons: An American Dream,” for which she won an NAACP Image Award.  She commanded rave reviews for her performance in ABC’s revival of “Bye, Bye Birdie” and starred in the mini-series “Nothing Lasts Forever” and the Emmy-nominated “The Odyssey,” which also garnered impressive ratings and an Image Award nomination for Vanessa.  Vanessa starred opposite John Lithgow in TNT’s “Don Quixote” and she executive produced and starred in “The Courage to Love” for Lifetime Television.  She starred in the VH1 Original Movie, “A Diva’s Christmas Carol,” which was the highest rated movie ever for VH1, their second highest rated telecast overall of in 2000 and their fourth highest rated telecast of all time.  She co-starred in the Showtime movie “Keep the Faith, Baby”and the UPN drama, “South Beach” and garnered rave reviews for hosting the 2009 Daytime Emmy Awards.  She currently stars in ABC’s critically-acclaimed hit series, “Ugly Betty,” for which she has been nominated three times for the Emmy Award for her role and she and her co-stars and the show have won or been nominated for numerous individual and ensemble awards, including the Emmy, SAG Award, Golden Globe and NAACP Image Awards.  Among Vanessa’s many awards and honors, she was honored in 1996 with the coveted Lena Horne Career Achievement Award at the Soul Train Lady of Soul Awards.  In 2007, she achieved a career pinnacle, with a star on the Hollywood Walk of Fame for her accomplishments as a performer.  Vanessa’s charitable contributions are many and varied, embracing and supporting such issues as education, homelessness, abuse, women’s issues and health concerns, AIDS and anything having to do with children.  Specifically, she is actively involved with such organizations as Green Chimneys, a working farm in Westchester County that provides educational and residential programs to help troubled inner-city adolescents; The Open Door, which provides walk-in medical care for homeless families; The Cottage School for displaced young women and the Special Olympics, among many others.
    TOM WOPAT.  Broadway: A Catered Affair (Tony, Drama Desk & Drama League nominations), Chicago, Glengarry Glen Ross (Drama Desk Award), 42nd Street, Annie Get Your Gun (Tony & Drama Desk nominations), Guys and Dolls, City of Angels, I Love My Wife.  Off-Broadway: The Guys, Olympus on My Mind, A Bistro Car on the CNR, Oklahoma.  Regional: Catch Me if You Can, A Catered Affair, The Music Man, Last of the Boys, R Shoman, Carousel, The Robber Bridegroom.  National Tour: Chicago.  Film: Main Street, Jonah Hex, The Understudy, Bonneville.  Television: “Standoff,” “Smallville,” “All My Children,” “100 Centre Street,” “Home Improvement,” “Cybill,” Peaceable Kingdom,” “Blue Skies,” “Dukes of Hazzard,” “Mow,” “The Hazzard in Hollywood,” “Meteorites!,” “Reunion in Hazzard,” “Just My Imagination,” “Christmas Comes to Willow Creek,” Burning Rage,” “Contagious.”
    LESLIE KRITZER.  Broadway credits include A Catered Affair (Drama Desk Nomination), Legally Blonde (Clerence Derwent Award for Most Promising Performer) and Hairspray. She received critical acclaim and a Time Out New York award for her sold-out Joe’s Pub run of Leslie Kritzer Is Patti LuPone At Les Mouches (a performance she repeated at The Plush Room in San Francisco). Off-Broadway and regional credits include Rooms, On The Town (Encores!), The Great American Trailer Park Musical (Drama Desk Nomination), Bat Boy, Godspell, Broadway: Three Generations (Kennedy Center), Cabaret, Born Yesterday, the world premiere of Vanities, Urinetown (National Tour), Evita and an acclaimed “Fanny Brice” in Funny Girl. She has performed at London’s Royal Albert Hall as a guest soloist honoring Tim Rice and Alan Menken and can be heard on several cast recordings. Film credits include 17 Photos Of Isabel. Television credits include “3LBS” (CBS) and “Jason and Jessica” (HBO).
    NORM LEWIS. Broadway: The Little Mermaid (King Triton); Les Misérables (Javert), Drama League nom.; Chicago (Billy Flynn); Amour; The Wild Party; Side Show (Jake); Miss Saigon (John); Tommy. Off-Broadway: Dessa Rose (Nathan), Drama Desk nomination, AUDELCO Award; Two Gentlemen of Verona (Valentine), Drama League nomination; Captains Courageous (Doc); A New Brain (Roger). Concerts: Chess (Molokov), Dreamgirls (Curtis), Golden Boy (Eddie) for Encores! Regional: Ragtime (Coalhouse), Dreamgirls w/ Jennifer Holliday (Curtis), First You Dream, Sweeney Todd (Sweeney), The Fantasticks (El Gallo). Film/TV: Sex and the City 2, Preaching to the Choir, Confidences, Mystery Woman, “Cosby,” “Strong Medicine,” “All My Children,” “As the World Turns.” Debut Solo CD – "Norm Lewis: This Is The Life." http://www.normlewis.com

    EUAN MORTON received an Olivier Award nomination for originating the role of Boy George in the musical Taboo. He reprised the role on Broadway, earning Tony, Drama Desk and Outer Critics Circle nominations, as well as the Theatre World Award (for Outstanding Broadway Debut).  Other stage appearances include title roles in Tony Kushner’s adaptation of Brundibár at the New Victory Theatre and Berkeley Rep and The Who’s Tommy at the Bay Street Theatre. He earned a 2006 Obie Award for his performance in Measure for Pleasure at the Public Theatre.  Euan also appeared in the Broadway revival of Cyrano De Bergerac.  Off-Broadway, Euan performed opposite Alfred Molina in Howard Katz at the Roundabout Theatre Company and in the 2009 American premiere of Leaves of Glass.  He was most recently seen in Moisés Kaufman’s production of Into the Woods at the Kansas City Rep.  Euan is featured in the documentary Showbusiness: The Road to Broadway which follows the history of a Broadway season.  For more information: http://www.officiallyeuanmorton.com.
    MATTHEW SCOTT. Broadway: Jersey Boys, A Catered Affair, The Best Little Whorehouse In Texas (For the Actors’ Fund). Regional/Stock: The Light in the Piazza (Fabrizio, Philadelphia Theatre Co.), First You Dream: The Music of Kander and Ebb (Signature Theatre), Ace (Ace, Signature Theater), Ragtime (Houdini, Paper Mill Playhouse), Tick, Tick…Boom! (Jonathan, Alliance Theater), West Side Story (Tony, The MUNY), Side by Side by Sondheim (The MUNY), Les Miserables (Marius), Swing! (Male Diva #2) and 1776 (Courier) all for the Pittsburgh CLO, Bat Boy (Bat Boy, PMT), My Fair Lady and Carousel (Both Paper Mill), Greenwillow (York Theater). Television: “All My Children.” Soloist with the Toronto Symphony Orchestra under the direction of Maestro Erich Kunzel. BFA with honors from Carnegie Mellon University.
    Roundabout Theatre Company is one of the country’s leading not-for-profit theatres.  The company contributes invaluably to New York’s cultural life by staging the highest quality revivals of classic plays and musicals as well as new plays by established writers. Roundabout consistently partners great artists with great works to bring a fresh and exciting interpretation that makes each production relevant and important to today’s audiences.
    Roundabout Theatre Company currently produces at three permanent homes each of which is designed specifically to enhance the needs of the Roundabout’s mission.  Off-Broadway, the Harold and Miriam Steinberg Center for Theatre, which houses the Laura Pels Theatre and Black Box Theatre, with its simple sophisticated design is perfectly suited to showcasing new plays. The grandeur of its Broadway home on 42nd Street, American Airlines Theatre, sets the ideal stage for the classics.  Roundabout’s Studio 54 provides an exciting and intimate Broadway venue for its musical and special event productions.  Together these three distinctive venues serve to enhance the work on each of its stages.
    American Airlines is the official airline of Roundabout Theatre Company.  Roundabout productions are made possible, in part, with public funds from the New York State Council on the Arts, the New York City Department of Cultural Affairs, the National Endowment for the Arts; and the New York State Office of Parks, Recreation and Historic Preservation. 
    Roundabout Theatre Company’s 2009-2010 season includes Michael Stewart, Lee Adams and Charles Strouse’s Bye Bye Birdie, starring John Stamos, Gina Gershon, Bill Irwin & Nolan Gerard Funk, directed and choreographed by Robert Longbottom; Carrie Fisher’s Wishful Drinking, directed by Tony Taccone; Theresa Rebeck’s The Understudy, with Mark-Paul Gosselaar, Justin Kirk and Julie White, directed by Scott Ellis; Adam Gwon’s Ordinary Days, directed by Marc Bruni; Noël Coward’s Present Laughter starring Victor Garber, directed by Nicholas Martin; Stephen Sondheim and James Lapine’s Sondheim on Sondheim starring Barbara Cook and Vanessa Williams, and Tennessee Williams’ The Glass Menagerie, directed by Gordon Edelstein. Roundabout’s sold out production of The 39 Steps made its second Broadway transfer to the Helen Hayes Theatre on January 21, 2009.
    http://www.roundabouttheatre.org

    TONY AWARDS EXTEND VOTES TO NEW YORK DRAMA CRITICS’ CIRCLE

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    TONY AWARDS EXTEND VOTES

    TO NEW YORK DRAMA CRITICS’ CIRCLE

    New York, NY (March 25, 2010) — Altering a policy change implemented last year, Tony Award Productions has offered the members of the New York Drama Critics’ Circle the opportunity to be Tony voters beginning with the 2010-2011 season, when the new yearly rules take effect. The New York Drama Critics’ Circle has accepted this offer.

    On behalf of Tony Award Productions, Charlotte St. Martin, Executive Director of the Broadway League, and Howard Sherman, Executive Director of the American Theatre Wing, have issued the following statement:

    “We recognize that the recent decision to rescind the votes of the press was perceived as a slight against journalists, and in particular the working theatre critics. The Tony Awards maintain a profound respect for the media community as partners in advocating for the value of live theatre and we deeply regret if offense was inadvertently given. We believe that the selection of the New York Drama Critics’ Circle is consistent with our policy of authorizing independent theatrical organizations (including labor unions and creative guilds) to determine which members of their professional constituency may vote. We are very pleased that the Drama Critics’ Circle has accepted this offer."

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